Magic Realism, World Cinema, and the Avant-Garde
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This book follows the hybrid and contradictory history of magic realism through the writings of three key figures – art historian Franz Roh, novelist Alejo Carpentier, and cultural critic Fredric Jameson – drawing links between their political, aesthetic, and philosophical ideas on art’s relationship to reality.
Magic Realism, World Cinema, and the Avant-Garde